Global Post Production Market 2020-2024

世界のポストプロダクション市場2020-2024

◆タイトル:Global Post Production Market 2020-2024
◆商品コード:IRTNTR41184
◆調査・発行会社:Technavio (Infiniti Research Ltd.)
◆発行日:2020年2月27日
◆ページ数:120
◆資料形式:PDF / 英語
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【資料の概要】

本調査レポートはポストプロダクションの世界市場について調査・分析し、エグゼクティブサマリー、市場環境、市場規模、ファイブフォース分析、用途別(映画、テレビ、商業用、オンラインビデオ)分析、技術別(VFX、オーディオ処理、2D-3D変換、編集)分析、顧客状況、地域別状況、市場の要因と課題、企業状況、企業分析などを含め、次の構成でお届けいたします。
・エグゼクティブサマリ
・市場環境
・市場規模
・ファイブフォース分析
・ポストプロダクションの世界市場:用途別(映画、テレビ、商業用、オンラインビデオ)
・ポストプロダクションの世界市場:技術別(VFX、オーディオ処理、2D-3D変換、編集)
・顧客状況
・地域別状況
・市場の要因・課題
・企業状況
・企業分析

Global Post Production Market 2020-2024
Technavio has been monitoring the global post production market and it is poised to grow by USD 10.07 bn during 2020-2024, progressing at a CAGR of 7% during the forecast period. Our reports on global post production market provides a holistic analysis, market size and forecast, trends, growth drivers, and challenges, as well as vendor analysis covering around 25 vendors.
The report offers an up-to-date analysis regarding the current global market scenario, latest trends and drivers, and the overall market environment. The market is driven by digital transformation of post-production processes.In addition, growing online content consumption is anticipated to boost the growth of the global post production market as well.

Market Segmentation
Technavio’s global post production market is segmented as below:
Application:
• Movie
• Television
• Commercials
• Online Videos

Technique:
• VFX
• Audio Processing
• 2D-3D Conversion
• Editing
• Others

Geographic Segmentation:
• APAC
• Europe
• MEA
• North America
• South America

Key Trends for global post production market growth
This study identifies growing online content consumption as the prime reasons driving the global post production market growth during the next few years.

Prominent vendors in global post production market
We provide a detailed analysis of around 25 vendors operating in the global post production market, including some of the vendors such as AT&T Inc., Comcast Corp., Eros International Plc, Lions Gate Entertainment Corp., MGM Holdings Inc., Netflix Inc., Prime Focus Ltd., Sony Corp., The Walt Disney Co. and Viacom Inc. .
The study was conducted using an objective combination of primary and secondary information including inputs from key participants in the industry. The report contains a comprehensive market and vendor landscape in addition to an analysis of the key vendors. For further information on this report, please visit - https://www.technavio.com/report/post-production-market-industry-analysis

About Technavio
Technavio presents a detailed picture of the market by the way of study, synthesis, and summation of data from multiple sources by an analysis of key parameters such as profit, pricing, competition, and promotions. It presents various market facets by identifying the key industry influencers. The data presented is comprehensive, reliable, and a result of extensive research – both primary and secondary. Technavio’s market research reports provide a complete competitive landscape and an in-depth vendor selection methodology and analysis using qualitative and quantitative research to forecast an accurate market growth.

【資料の目次】

• Executive Summary
o Market Overview
• Market Landscape
o Market ecosystem
o Value chain analysis
• Market Sizing
o Market definition
o Market segment analysis
o Market size 2019
o Market outlook: Forecast for 2019 – 2024
• Five Forces Analysis
o Five Forces Summary
o Bargaining power of buyers
o Bargaining power of suppliers
o Threat of new entrants
o Threat of substitutes
o Threat of rivalry
o Market condition
• Market Segmentation by Application
o Market segments
o Comparison by Application placement
o Movie – Market size and forecast 2019-2024
o Television – Market size and forecast 2019-2024
o Commercials – Market size and forecast 2019-2024
o Online videos – Market size and forecast 2019-2024
o Market opportunity by Application
• Market Segmentation by Technique
o Market segments
o Comparison by Technique placement
o VFX – Market size and forecast 2019-2024
o Audio processing – Market size and forecast 2019-2024
o 2D-3D conversion – Market size and forecast 2019-2024
o Editing – Market size and forecast 2019-2024
o Others – Market size and forecast 2019-2024
o Market opportunity by Technique
• Customer landscape
o Overview
• Geographic Landscape
o Geographic segmentation
o Geographic comparison
o North America – Market size and forecast 2019-2024
o APAC – Market size and forecast 2019-2024
o Europe – Market size and forecast 2019-2024
o MEA – Market size and forecast 2019-2024
o South America – Market size and forecast 2019-2024
o Key leading countries
o Market opportunity by geography
• Drivers, Challenges, and Trends
o Market drivers
o Volume driver – Demand led growth
o Volume driver – Supply led growth
o Volume driver – External factors
o Volume driver – Demand shift in adjacent markets
o Price driver – Inflation
o Price driver – Shift from lower to higher priced units
o Market challenges
o Market trends
• Vendor Landscape
o Overview
o Vendor landscape
o Landscape disruption
• Vendor Analysis
o Vendors covered
o Market positioning of vendors
o AT&T Inc.
o Comcast Corp.
o Eros International Plc
o Lions Gate Entertainment Corp.
o MGM Holdings Inc.
o Netflix Inc.
o Prime Focus Ltd.
o Sony Corp.
o The Walt Disney Co.
o Viacom Inc.
• Appendix
o Scope of the report
o Currency conversion rates for US$
o Research methodology
o List of abbreviations
Exhibits
• 1.Key Finding 1
• 2.Key Finding 2
• 3.Key Finding 3
• 4.Key Finding 4
• 5.Key Finding 5
• 6.Key Finding 6
• 7.Key Finding 7
• 8.Key Finding 8
• 9.Market in focus
• 10.Parent market
• 11.Market characteristics
• 12.Product / Service portfolio of key vendors included in the market definition
• 13.Market segments
• 14.Global – Market size and forecast 2019 – 2024 ($ billion)
• 15.Global market: Year-over-year growth 2019 – 2024 (%)
• 16.Five forces analysis 2019 & 2024
• 17.Bargaining power of buyers
• 18.Bargaining power of suppliers
• 19.Threat of new entrants
• 20.Threat of substitutes
• 21.Threat of rivalry
• 22.Market condition – Five forces 2019
• 23.Application placement – Market share 2019-2024 (%)
• 24.Comparison by Application placement
• 25.Movie – Market size and forecast 2019-2024 ($ billion)
• 26.Movie – Year-over-year growth 2019-2024 (%)
• 27.Television – Market size and forecast 2019-2024 ($ billion)
• 28.Television – Year-over-year growth 2019-2024 (%)
• 29.Commercials – Market size and forecast 2019-2024 ($ billion)
• 30.Commercials – Year-over-year growth 2019-2024 (%)
• 31.Online videos – Market size and forecast 2019-2024 ($ billion)
• 32.Online videos – Year-over-year growth 2019-2024 (%)
• 33. Market opportunity by Application
• 34.Technique placement – Market share 2019-2024 (%)
• 35.Comparison by Technique placement
• 36.VFX – Market size and forecast 2019-2024 ($ billion)
• 37.VFX – Year-over-year growth 2019-2024 (%)
• 38.Audio processing – Market size and forecast 2019-2024 ($ billion)
• 39.Audio processing – Year-over-year growth 2019-2024 (%)
• 40.2D-3D conversion – Market size and forecast 2019-2024 ($ billion)
• 41.2D-3D conversion – Year-over-year growth 2019-2024 (%)
• 42.Editing – Market size and forecast 2019-2024 ($ billion)
• 43.Editing – Year-over-year growth 2019-2024 (%)
• 44.Others – Market size and forecast 2019-2024 ($ billion)
• 45.Others – Year-over-year growth 2019-2024 (%)
• 46. Market opportunity by Technique
• 47.Customer landscape
• 48.Market share by geography 2019-2024 (%)
• 49.Geographic comparison
• 50.North America – Market size and forecast 2019-2024 ($ billion)
• 51.North America – Year-over-year growth 2019-2024 (%)
• 52.APAC – Market size and forecast 2019-2024 ($ billion)
• 53.APAC – Year-over-year growth 2019-2024 (%)
• 54.Europe – Market size and forecast 2019-2024 ($ billion)
• 55.Europe – Year-over-year growth 2019-2024 (%)
• 56.MEA – Market size and forecast 2019-2024 ($ billion)
• 57.MEA – Year-over-year growth 2019-2024 (%)
• 58.South America – Market size and forecast 2019-2024 ($ billion)
• 59.South America – Year-over-year growth 2019-2024 (%)
• 60.Key leading countries
• 61.Market opportunity by geography ($ billion)
• 62.Impact of drivers
• 63.Impact of challenges
• 64.Landscape disruption
• 65.Industry risks
• 66.Vendors covered
• 67.Market positioning of vendors
• 68.AT&T Inc. – Overview (1/3)
• 69.AT&T Inc. – Overview (2/3)
• 70.AT&T Inc. – Overview (3/3)
• 71.AT&T Inc. – Business segments
• 72.AT&T Inc. – Key offerings
• 73.AT&T Inc. – Key customers
• 74.AT&T Inc. – Segment focus
• 75.Comcast Corp. – Overview (1/3)
• 76.Comcast Corp. – Overview (2/3)
• 77.Comcast Corp. – Overview (3/3)
• 78.Comcast Corp. – Business segments
• 79.Comcast Corp. – Key offerings
• 80.Comcast Corp. – Key customers
• 81.Comcast Corp. – Segment focus
• 82.Eros International Plc – Overview (1/3)
• 83.Eros International Plc – Overview (2/3)
• 84.Eros International Plc – Overview (3/3)
• 85.Eros International Plc – Business segments
• 86.Eros International Plc – Key offerings
• 87.Eros International Plc – Key customers
• 88.Eros International Plc – Segment focus
• 89.Lions Gate Entertainment Corp. – Overview (1/3)
• 90.Lions Gate Entertainment Corp. – Overview (2/3)
• 91.Lions Gate Entertainment Corp. – Overview (3/3)
• 92.Lions Gate Entertainment Corp. – Business segments
• 93.Lions Gate Entertainment Corp. – Key offerings
• 94.Lions Gate Entertainment Corp. – Key customers
• 95.Lions Gate Entertainment Corp. – Segment focus
• 96.MGM Holdings Inc. – Overview (1/3)
• 97.MGM Holdings Inc. – Overview (2/3)
• 98.MGM Holdings Inc. – Overview (3/3)
• 99.MGM Holdings Inc. – Business segments
• 100.MGM Holdings Inc. – Key offerings
• 101.MGM Holdings Inc. – Key customers
• 102.MGM Holdings Inc. – Segment focus
• 103.Netflix Inc. – Overview (1/3)
• 104.Netflix Inc. – Overview (2/3)
• 105.Netflix Inc. – Overview (3/3)
• 106.Netflix Inc. – Business segments
• 107.Netflix Inc. – Key offerings
• 108.Netflix Inc. – Key customers
• 109.Netflix Inc. – Segment focus
• 110.Prime Focus Ltd. – Overview (1/3)
• 111.Prime Focus Ltd. – Overview (2/3)
• 112.Prime Focus Ltd. – Overview (3/3)
• 113.Prime Focus Ltd. – Business segments
• 114.Prime Focus Ltd. – Key offerings
• 115.Prime Focus Ltd. – Key customers
• 116.Prime Focus Ltd. – Segment focus
• 117.Sony Corp. – Overview (1/3)
• 118.Sony Corp. – Overview (2/3)
• 119.Sony Corp. – Overview (3/3)
• 120.Sony Corp. – Business segments
• 121.Sony Corp. – Key offerings
• 122.Sony Corp. – Key customers
• 123.Sony Corp. – Segment focus
• 124.The Walt Disney Co. – Overview (1/3)
• 125.The Walt Disney Co. – Overview (2/3)
• 126.The Walt Disney Co. – Overview (3/3)
• 127.The Walt Disney Co. – Business segments
• 128.The Walt Disney Co. – Key offerings
• 129.The Walt Disney Co. – Key customers
• 130.The Walt Disney Co. – Segment focus
• 131.Viacom Inc. – Overview (1/3)
• 132.Viacom Inc. – Overview (2/3)
• 133.Viacom Inc. – Overview (3/3)
• 134.Viacom Inc. – Business segments
• 135.Viacom Inc. – Key offerings
• 136.Viacom Inc. – Key customers
• 137.Viacom Inc. – Segment focus
• 138.Currency conversion rates for US$
• 139.Research Methodology
• 140.Validation techniques employed for market sizing
• 141.Information sources
• 142.List of abbreviations



【掲載企業】

AT&T Inc., Comcast Corp., Eros International Plc, Lions Gate Entertainment Corp., MGM Holdings Inc., Netflix Inc., Prime Focus Ltd., Sony Corp., The Walt Disney Co., Viacom Inc.

★調査レポート[世界のポストプロダクション市場2020-2024] (Global Post Production Market 2020-2024 / IRTNTR41184)販売に関する免責事項
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